My graphics program is out of action, so just the words today, unfortunately!
Sheik: Utterly no-nonsense script with no identifying features. Which is probably an identifying feature in itself, but it does mean that it would be that much harder for anyone to recognise him by his handwriting.
Zelda: The equivalent of flowing cursive (given that Old Hylian syllabary is a cipher of Japanese kana, it'd be akin to calligraphy whereas Sheik's would just be straight lines) - it's a lot more refined, largely due to, well, being a princess. It's not QUITE as neat as it could be, though - the whole body-sharing thing means she still has the handwriting of an admittedly neat ten-year-old.
Writing in English, it would probably be messy as hell for both of them - it's not just a different alphabet, it's a different alphabet SYSTEM. Old Hylian syllabary looks like this. ('Sheik' would be written as 'Shi-ku', and 'Zelda' as 'Seruta' (or, with more letters, as Zeruda).)
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Sheik: Utterly no-nonsense script with no identifying features. Which is probably an identifying feature in itself, but it does mean that it would be that much harder for anyone to recognise him by his handwriting.
Zelda: The equivalent of flowing cursive (given that Old Hylian syllabary is a cipher of Japanese kana, it'd be akin to calligraphy whereas Sheik's would just be straight lines) - it's a lot more refined, largely due to, well, being a princess. It's not QUITE as neat as it could be, though - the whole body-sharing thing means she still has the handwriting of an admittedly neat ten-year-old.
Writing in English, it would probably be messy as hell for both of them - it's not just a different alphabet, it's a different alphabet SYSTEM. Old Hylian syllabary looks like this. ('Sheik' would be written as 'Shi-ku', and 'Zelda' as 'Seruta' (or, with more letters, as Zeruda).)