http://toariversodeep.livejournal.com/ (
toariversodeep.livejournal.com) wrote in
insertmeathere2009-11-05 08:54 pm
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You find yourself in a place.
This place, in fact, is somehow, inexplicably, a reflection of your own mind.
There are a few doors scattered around. They don't belong—they are styled to belong to other places. Stepping through the doors lets you visit the places like this that belong to the people you know.
What do you do?
This place, in fact, is somehow, inexplicably, a reflection of your own mind.
There are a few doors scattered around. They don't belong—they are styled to belong to other places. Stepping through the doors lets you visit the places like this that belong to the people you know.
What do you do?

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Step into it and the door hovers in the air over a vast desert at twilight. Looking over the dunes, the pink and purple light makes them look like the backs of great pods of candy whales frozen in migration. There are the ghosts of great sandworms there, translucent bodies miles long, roaring hauntingly.
There is a small, hardscrabble village, sorrounded by a moat of moist sand. The dwellings are simple hovels. Their inhabitants are fremen (http://www.lisashea.com/hobbies/dune/scifi/fremen2.jpg) in stillsuits. They are simple but honest folk, tenders of their desert home.
In the middle is a vaguely churchish looking building (http://www.rrp.lv/images/ropazi.jpg). Inside, women in black robes train in obscure martial arts, talk over spicecoffee, read and eat together.
All of these people are fully independent personalities and can talk to you themselves.
Sheeana could be anywhere.
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She pauses at the edge of the village, looking around.
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"You should see what that is, Sheeana."
"I don't want to." Pawn moves en gravitant.
"You're the dominant personality here. This is your responsibility."
Sheeana sighs, pulls her robe up over her stillsuit and looks out the door. "You're going to get very hot very quickly in that!" She calls to the figure.
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Tess heads towards the little church structure, feet moving in a slightly rolling way that suggests heavy weight and a certain practice in making sure not to sink unduly into soft materials.
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"And eventually your refrigerant will run out. I must take you in and see to your equipment, traveller." Enough Voice to disperse the fremen villagers.
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As she approaches closer, the waves of heat rolling off the shapeless material draped around her shoulders are more noticeable, as if the whole mass was some sort of radiator.
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"Nice to meetcha," she says brightly, takes a step forward, and offers a hand.
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Tess has a firm (but not uncomfortably so) grip. "Tennessee Lee, atcher service." She does have a weapon, it would seem--a funny-looking thing halfway between a sidearm and a longarm sitting on her hip, all in bright matte colors--but she's given it no attention.
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The cloak is almost all white now, shining a little iridescently in the dim light.
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And then she hit sand, sinking instantly up to her knees with the impact of the drop to ground-level. It's not that that startles her, however, it's that the simulation is more like a hack— it's taking into account her real, physical limitations....which shouldn't logically apply here. So, it's just another one of the oddities of this place.
Also, there's sand. Rapture.
So it is with a sigh that she pulled herself out of the pit she'd planted both feet into, and made her way as inconspicuously as possible towards the Fremen village. The fact that her clothing is wildly inappropriate (http://www.productionig.com/contents/works_sp/images/gits4/GITS_SAC_2nd_overview.jpg) for the setting doesn't do much to help her stealth capabilities.
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Something that heavy moving across the sands, however, attracts the attention of something else. A ghost-worm thunders out of the sand with an eerie cry, attracted by her rythm. Who knows what kind of damage it can do, if any?
Sheeana is out the door of the church in an instant, moving faster than a human should be able to.
The worm is closing in. Sheeana could stop it of course, but she knows the Amtal rule: You do not know a person or thing until you know their limits
Instead she stood on the other side of the moat of moist sand. "Get over here!" She extended her hand.
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Son of a Bitch.
The servos in her legs powered up with a whine, but the sand was too soft to support a full leap. Dry sand spilled over her boot toes as she started off towards that beckoning hand. Impacting moistened ground made movement come easier, and in a moment she'd cleared it.
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The worm roared away, churning up sand in its wake despite its seeming insubstantiality. The Fremen, suspicious, came behind her. She gestured for them to stay back. Still suspicious, they obeyed. They could tell by the way the Major had sunk that she did not weigh as much as a normal human. Sheeana smiled and cocked her head.
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"So, this is Sheeana," She mused, low and idle, "Your home, isn't it?"
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"It is my village on Rakis, the planet I grew up on. Though that building is a learning hall from Chapterhouse." She took Motoko's arm and led her up towards it. There was pain to these memories, but she was very, very good at hiding it.
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Deliberately, but without force, Motoko took her arm back. Even if she hadn't a cultural aversion to unnecessary contact, she hardly enjoyed being led along like a child.
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"Won't you please come inside, my honored guest? Our village is a humble one, boasting only a small Bene Gesserit outpost to distinguish it, but still you must be tired from your journey and would enjoy some spicecoffee and baklawa, no?" There. That ought to have gotten the message across.
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Following the woman across the burning sand she eased her step, moving more surely at software and experience adapted her step to remove the awkwardness that had been wrought. Motoko cursed her lack of external memory, but kept her expression serene. What a strange place.
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Inside the school was a psuedo-religious place, imitating a humble country church in its architecture. There were no rows of pews though. Candles, yes, but no shrines. Women in black robes sat and talked, practiced martial arts that caused them to blur, read, conversed. Sheeana too took one of the robes from a hook on the wall and threw it over her stillsuit. "This is a Bene Gesserit building, like where I had my classes on Chapterhouse."
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But there was one thing that needed comment, "Always women?"
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And why did that line spring to mind? The voice of the puppeteer's dying self was haunting as he merged and separated, whirling away into nothingness even as they linked, dragging Motoko with him. But that was only memory, and none of it showed on her face, only in the way she hesitated before speaking.
"I've always found gender to be irrelevant," she murmured in reply, following or seeming to follow Sheeana's directional gesture.
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